Concept Deck v2 (Cardistry Cards)

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Concept Deck v2 (Cardistry Cards)

from 15.00

v2 Concept Deck

Aroundsquare's Concept Deck is a unique card deck designed exclusively for cardistry. The v1 deck originated as a "proof of concept" back in 2016. The goal was to break convention by dropping the traditional design language of playing cards, and to imagine a deck that functioned as a single unit of reconigurable art--one where the entire printable surface is dedicated to creating opportunities for new and interesting visual displays. The bold geometric patterns, contrasting colours, and borderless design make for striking displays during flourishing, and endless possibilities for fanning patterns and table spreads.

The v2 Concepts are printed by USPCC, on thin crush stock, with linen finish. This is a limited edition, with just 2500 decks printed. The artwork may be reinterpreted in the future, but this colour palette is a one-time deal so get em while you can! Introductory launch price of $10/deck is in effect for just 24 hours.

The Long Story

Aroundsquare's v2 Concept Deck is the much anticipated follow-up to the long-since-sold-out 2016 v1s. The original Concept Deck was developed in 2016 as a design experiment, a "proof of concept". The goal was to set aside the conventional standards and styling, and to design a card deck purely for cardistry. Recognizing the art of cardistry as the manipulation of cards to produce striking visual effects, and seeing this as distinct from other forms of card handling, such as magic and casino games, Aroundsquare sought to produce a card design that would unlock the full potential of a card deck to produce visual effects. The quest to produce a card purely for this purpose resulted in a string of design decisions that, collectively, have resulted in a truly distinctive deck design.

The first decision was to drop the standard card faces, numbers, suits, and pips. If the cards are not being used for card games or magic tricks, then there is no need for this visual clutter. Instead, AO2 has used the entire printable area, front and back, for the sole purpose of visual effects. All cards in the deck are identical.

The second decision was to think of the deck as a system, rather than a collection of individual cards. While each card is richly printed and sufficiently interesting on its own, the Concept Deck is designed so that the cards will work together, front and back, layered, fanned, flipped, and spread, to produce visual effects that are more than the sum of their parts. The intricate and subtle details of many artistic decks are lost during flourishing, so instead, Aroundsquare opted for big, bold, solid blocks that can be perceived quickly by the eyes. These blocks of colour can be manipulated to blend together, to contrast with one another, and to bend perceptions of space and create 3D effects.

The third decision was to drop the standard borders found on most cards, in favour of a full-bleed design with edge to edge printing. This creates a sense of unity and fluidity during flourishing, while the geometry and contrasting colours retain the separation of space and sense of movement during cuts. Perhaps more importantly, the borderless design also allows for fans and spreads in which the visual field is uninterrupted.

The fourth decision was print the cards with the same geometric pattern on both sides, but with contrasting colour palettes. The result is quite striking during flourishes, and can evoke a very different look and feel depending on how the cards are displayed. Because the geometric pattern is the same on both sides, the alternation of colour between the two sides during flourishing can create very interesting effects.

The fifth design decision was the card art itself, which uses a simple geometric pattern that is rotationally symmectrical, but still allows four distinct corner patterns to be displayed. As a result, four different fan patterns can be created, using either side of the cards, making a total of eight simple fans possible, and many more if the cards are shuffled or layered, or if the grip is shifted during fanning. This artwork has also been designed to create uninterrupted patterns when laid flat, opening up interesting possibilities for table work.

The v1 Concept Deck made a bold debut with a bright spectrum on one side, and a dark greyscale on the other. The new v2s show the confidence of a sophomore release, toning it down slightly with a purple/ pink range on one side, and blue/ green on the other.

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The Concept Deck eschews conventional wisdom and conventional styling. Recognizing the art of cardistry as the manipulation of cards to produce stunning visual effects, and seeing this as distinct from other forms of card handling, such as magic, and casino games, Aroundsquare sought to produce a card design that would unlock the full potential of a card deck. The quest to produce a card purely for this purpose resulted in a string of design decisions that, collectively, have resulted in a truly distinctive card design. 

The first decision was to drop the standard card faces, numbers, suits, and pips. If the cards are not being used for card games or magic tricks, then there is no need for this visual clutter. Instead, AO2 has used the entire printable area, front and back, for the sole purpose of visual effects. The Concept Deck has 55 identical cards. 

The second decision was to think of the deck as a system, rather than a collection of individual cards. While each card is richly printed and sufficiently interesting on its own, the Concept Deck is designed so that the cards will work together, front and back, layered, fanned, flipped, and spread, to produce visual effects that are more than the sum of their parts. The intricate and subtle details of many artistic decks are lost during flourishing, so instead, Aroundsquare opted for big, bold, solid blocks that can be perceived quickly by the eyes.  

The third decision was to drop the standard borders found on most cards, in favour of a full-bleed design with edge to edge printing. This adds to the fluidity observed during flourishing, while the geometry and contrasting colours of the printed design still create a separation of space and sense of movement during cuts. Perhaps more importantly, the borderless design also allows for fans and spreads in which the visual field is not constantly interrupted by contrasting colours. 

The fourth decision was print the cards with the same pattern on both sides, but using vibrant full spectrum colours on one side, and a dark greyscale on the other. This results in a high degree of contrast between the two sides, which is striking during flourishes, and can evoke a very different look and feel depending on how the cards are displayed. Flashes of colour between dark grey cards, and flashes of darkness between the colours, add to the effect.

The fifth design decision was the card art itself, which uses a simple geometric pattern that is symmetrical when rotated but still allows four distinct corner patterns to be displayed. As a result, four different fan patterns can be created, using either side of the cards, making a total of eight simple fans possible, and many more if the cards are shuffled or layered. This artwork has also been designed to create uninterrupted patterns when laid flat, opening up interesting possibilities for table work.